Recently, Panasonic announced the newest Micro Four-Thirds, Mirrorless camera, the LUMIX DMC-G9. The G9 offers prosumers and enthusiasts a slightly cheaper alternative to the flagship GH5 camera with some compromises. The G9 boasts some substantial upgrades to the LUMIX DMC-G8 but is the newest in-between camera have the goods?
We’ll be at PhotoPlus Expo 2017 for the next couple of days bringing you the latest in Photography Gear and this year, checking out the first ever AR/VR Expo. On the docket today will be coverage from the expo floor and checking out the latest from Sony (hint, hint, we’re going to fondle the new Sony a7R III) and checking out the new lenses from LensBaby and more.
Check back here throughout the day for more coverage from the show floor.
The Sony Booth
We shot some demo reels from the Sony booth and got a first look at the Sony a7R III. Some quick things to know about the Sony a7R III – it features a 42.4-megapixel Full-Frame sensor, 399 phase detection and 425 contrast autofocus points, 10 frames per second shooting speeds, a 3.9 million dot blackout-free electronic viewfinder, a ridiculous 100-320000 ISO range, and it carries over the a9’s larger battery – which boasts all-day shooting capabilities in the a7R III.
This is the Mirrorless camera that has already taken Nikon’s lunch is hot on the heels of replacing the Canon 5D Mark IV as the go-to camera for professional photographers. You can check out the walk through here.
The following syndicated post comes from Dreamstime photographers, Viorel Dudau, Catalina Zaharescu Tiensuu, and Rachael Murphey. If you’re intested in submitting a post for consideration, please visit our Contact Us page.
Between wildfires, hurricanes and massive flooding, the U.S. is experiencing an onslaught of natural disasters that span the country. And if there is any bright side to the darkness of our weather forecast and smoky skies, it’s the opportunity to document through photos the great power and majesty that is Mother Nature.
But taking photos near a storm or fire is risky business, and should not be taken lightly. Photographers need to follow certain guidelines if they choose to document these events in order to stay safe and keep their equipment intact as well.
Don’t get too close
Find the best safe spot, use a telephoto lens if necessary. Don’t risk getting too close to the action if we’re talking about volcanoes, landslides, tornadoes or anything else extremely high-risk. Sometimes it’s just better to take pictures after the event and not during. Use your best judgment here. A good photo is worth a lot, but it’s never worth your life!
Dress for success
Gear up with the proper equipment and clothing to keep yourself safe, warm and dry. Rain coat and rubber boots for flooded areas, mask and fire proximity suit for photographing wildfires, etc. Take care of yourself first, and then worry about the camera and gear.
Find the right case
Protection comes first, so a waterproof case is mandatory for cameras in areas with hurricanes and flood conditions. Plastic cases should not be used in forest fires areas; the plastic might melt and damage the camera and the lens. As a bonus, find a case that is shock-insulated with foam to protect delicate equipment in transit.
Protect the lens
There’s a reason professional photographers keep a collapsible lens hood in their mobile cases. In bright conditions, they’re great for blocking glare, reducing lens flair, and producing captivating photos.
They also double as a guard against bad weather. If the weather turns during a shoot, a lens hood can block rain and snow from settling on the lens. In addition to keeping the lens dry, it ensures a slight change in the weather won’t force a cancellation.
It doesn’t matter if you’re caught in a monsoon in the forest or a pop-up storm during a wedding shoot: bad weather ruins equipment.
Savvy photographers guard against this sudden misfortune by keeping several dry bags in their cases. Cheaper versions are simple plastic bags, but more secure options include treated canvas and other fabrics safe for use on camera equipment.
Back up, back up and back up again
With any weather mishap, there comes a risk of losing your work. Backing up your photos might be the most important part of your job as a photographer. While sometimes in photography less is more, when it comes to backing up your work, more is never enough. Basically, you should have your work stored in at least 3 different places, one of them in a different location. I would recommend keeping important photos on your computer, on an external hard drive and on a cloud storage platform. From time to time, it wouldn’t hurt to burn some DVDs and mail them to a trustful friend or member of your family. If you’re shooting film, you should start scanning your negatives and store them exactly like I said above, in at least 3 different places.
When Olympus unveiled their latest flagship camera, the E-M1 Mk. II, it put the Photography community on notice. With the E-M1 Mk. II, Olympus was taking a direct shot at the pro photographer with a mirrorless camera that could perform as well (and in some cases better) than their larger full-frame competitors. Today, Olympus released their first major firmware update for the E-M1 Mk. II allowing for TTL-O and compatibility with Profoto Air Remote wireless triggers.
What do you get the photographer and whiskey lover that has it all? If money ain’t a thing and rare cask whiskeys are your drink of choice, The Macallan Masters of Photography: Steven Klein edition may be one of the most coveted luxury boxes of the year. The box features the ultra rare liquor – only 100 bottles will be available in the U.S. – along with one of ten signed prints by iconic fashion photographer Steven Klein. The box also features a custom horse’s head bottle stopper and an array of custom barware to get a unique flavor experience that the nearly $3,000 price tag promises.
The following guest post comes from Cotton Carrier, makers of the Cotton Camera Carrier System. Guest posts do not necessarily reflect an endorsement of a company or product.
The following is a guest post from Noisecast Alum, Michael Pitts. He’s our resident pissed off Geek Guy so here’s his rant on Data Caps
Today Verizon reintroduced their Unlimited Data plan for their wireless customers. They also snuck in an asterisk for a little thing called a Data Caps, naturally we asked Michael to share his thoughts on Verizon’s return to unlimited.
Verizon Wireless, a company known for finding new and interesting ways to fuck over its customers, has announced that it is bringing back the Unlimited* plan. See that asterisk? That’s because it’s only unlimited until you hit the hilariously arbitrary soft cap of 22GB. After that, you “may be throttled”. Which you probably read as “Hey, ‘member 56k modems? I ‘member!” if you’ve ever used a throttled mobile network.
Back in 2015, I reviewed the Microsoft Surface Pro 3 for Adorama and was very quickly convinced that Microsoft was definitely onto something. Possibly even make me consider making the switch from my Mac. In the year since that review, there’s been no shortage of new convertible/all-in-one’s available to consumers looking for the tablet/PC experience but many have fallen short of what Microsoft promised with the Surface line of computers. Vaio, the spin-off of Sony’s old PC business, recently released their very own two-in-one tablet/PC promising all the polish, portability, and power that made them once king of the PC hill, but does it deliver?
On the cusp of tripling their Kickstarter goal, a hardware design company has teamed up with TriggerTrap to release a new way to control your DSLR without cables getting in the way – UNLEASHED by Foolography. The UNLEASHED is a Bluetooth dongle that allows your Nikon or Canon DSLR to be controlled remotely with your cellphone as its trigger.
If you’ve ever thought you had the vision and technical prowess to be an in-demand photographer but didn’t know how to catch your big break, Adorama recently announced this year’s Top Photographer contest to be judged by Nigel Barker, most famous for his participation in Tyra Banks’ America’s Top Model. Five Finalists will be chosen by Nigel Barker and will complete in a web series produced by Adorama where each of the five finalist will be judged on their technical ability but more importantly their ability to use their technical skills to execute their unique vision.